{"id":533,"date":"2020-04-18T08:23:11","date_gmt":"2020-04-18T08:23:11","guid":{"rendered":"https:\/\/web.uj.ac.za\/artsdev\/?p=533"},"modified":"2023-01-18T08:27:59","modified_gmt":"2023-01-18T08:27:59","slug":"the-pandemic-project-ronel-de-jager","status":"publish","type":"post","link":"https:\/\/web.uj.ac.za\/artsdev\/the-pandemic-project-ronel-de-jager\/","title":{"rendered":"The Pandemic Project :: Ron\u00e9l De Jager"},"content":{"rendered":"<div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Our first visual artist is none other than painter and sculptor Ronel de Jager.<\/p>\n<p>Shifting between painting, sculpture and installation, Ronel deals with concepts of the fleeting, with environmental concerns, and with the notion of deep time.<\/p>\n<p>Ron\u00e9l de Jager\u2019s work \u2018When the Earth Stands Still\u2019 is a response to a poem of the same name by Don Macdonald. The haunting piece forms a context into which De Jager\u2019s oil painting is of destruction or regrowth.<\/p>\n<p>Watch the full video here<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-left\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t\t<div class=\"wpb_video_wrapper\"><iframe loading=\"lazy\" title=\"The Pandemic Project :: Ron\u00e9l de Jager\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/z_lB3ScGlLw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Working from an image she had shot at the Bakoni Ruins in Mpumalanga in 2018, the work evokes both stillness and trepidation, a twist on the trope of idealised African landscape paintings. Limiting her palette to luminous tones of pinks and reds, reflect De Jager\u2019s original photograph that was shot in infrared at the time, exploring the real versus the fictional. De Jager\u2019s works at this time showed an anticipated future for either potential or regret.<\/p>\n<p>Made especially for UJ\u2019s \u2018The Pandemic\u2019 project, the imagery took on another dimension of meaning. De Jager says, \u201cI had a cathartic experience when Lockdown was announced \u2013 I had a strange yet deep feeling of connectedness to the world, more than ever before. Perhaps one of empathy, as isolation is a state that the artist knows all too well. But there was more; I felt universal connectedness to other humans. I had a weird sensation of relief. Something was levelling about the experience \u2013 for once, the world was forced to come to a standstill.\u201d<\/p>\n<p>Undoubtedly, this relief tapped into a collective sense that COVID-19, for all the trauma and loss it brought to our species, also forced on us a moment of pause, of reflection. De Jager has said, \u201cI\u2019m drawn to these empty landscapes, filled as they are with latent energy, as they present to me, an idyllic space \u2013 devoid of human inhabitants.<\/p>\n<p>People tend to ruin their environment. It often seems that things would be better off without us, and that nature\u2019s potential and balance would be achieved in our absence.\u201d<\/p>\n<p>De Jager\u2019s work often deals with a paradox: despite working from imagery that is culled from the fleeting pursuits of photography and videography, she is concerned with the notion of deep time. She examines our understanding of time, often by slowing down these snapshot in the medium of paint. \u2018When the Earth Stands Still\u2019, both in its title and in its imagery, continues this exploration.<\/p>\n<p>#UJPandemic<\/p>\n<p>#CloseToHeART<\/p>\n<p>#UJChoir<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Our first visual artist is none other than painter and sculptor Ronel de Jager.<\/p>\n<p>Shifting between painting, sculpture and installation, Ronel deals with concepts of the fleeting, with environmental concerns, and<\/p>\n","protected":false},"author":3,"featured_media":534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/posts\/533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/comments?post=533"}],"version-history":[{"count":1,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/posts\/533\/revisions"}],"predecessor-version":[{"id":535,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/posts\/533\/revisions\/535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/media\/534"}],"wp:attachment":[{"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/media?parent=533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/categories?post=533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.uj.ac.za\/artsdev\/wp-json\/wp\/v2\/tags?post=533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}